Wanted: a new fun show to watch. Must be loaded with silly jokes and funny actors creating memorable characters. High drama and misanthropy need not apply.
In 2011, Fox answered this ad, although they didn’t realize it at first. When they landed a show starring Zooey Deschanel, they figured they were getting some version of the role she had been typecast in for most of her career (“adorkable”). What they didn’t bargain for was that Deschanel would become one of the best comedic “straight-men/women” in television. She would be a new Mary Tyler Moore, but instead of a newsroom in Minneapolis, she would have a loft in Los Angeles.
In a era where even television comedies got serious, New Girl stood apart. It wasn’t quite a Seinfeld-esque show about nothing, but it certainly wasn’t a show with deep themes or innovative storytelling. It was simply a show about a group of misfits slowly growing enough in confidence in themselves to evolve into adults.
New Girl was mostly about the jokes, but the jokes were sustained by the growth of the characters. Jess, Nick, Schmidt, Winston, and Cece shed insecurities, but none of them lost the silly quirks that made them fun to hang out with every Tuesday.
Television comedies often find success with misanthropy and sarcasm (Seinfeld, It’s Always Sunny in Philadelphia) or satire (The Simpsons, 30 Rock). It seems rarer that a successful television comedy is centered on character growth and being fun to spend time with. New Girl rightfully joined shows like Parks and Recreation in this latter category.
Now, we must never forget, there is but one rule. Floor is lava.
(c) 2018 D.G. McCabe