Tag Archives: HBO

Game of Thrones Power Rankings, Season 8, Episode 1

A cold wind comes from the north. That’s a bit of an understatement, right? The revised opening credits emphasize that the doom of this world approaches. Anyway, let’s get right into the power rankings.

1. The White Walkers (Pre-Season, #1)

Yeah, these guys aren’t going anywhere for a while on the Rankings. This being Game of Thrones, there’s a decent chance that everyone dies, and the Others win. There might be actual riots in the street, but it could happen.

2. House Lannister (Pre-Season, #4)

CGI money doesn’t grow on trees, so no elephants. Pachyderms or no, there’s a lot of space between the Dead and Cersei, and for that reason, she’s in better shape than her enemies. Good on her for “celebrating” with “eccentric” sea captains.

3. House Stark (Pre-Season, #2)

Lyanna Mormont: We made you king!

Jon: Um, there’s an army coming…

Sansa: Also, your new girlfriend is lame.

Jon: Um, I really don’t think…

Arya: Also, I like Sansa now.

Jon: Um, guys…

Sam: Also, you’re the one, true king!

Bran: THE DEAD ARE COMING! WE DON’T HAVE TIME FOR ANY OF THIS SHIT!

4. House Targaryen (Pre-Season, #3)

Daenerys is usually pretty observant, so she should realize that only Targaryens can typically ride dragons, right? Or maybe she figures her idiot brother was lying about that.

5. House Greyjoy (Pre- Season, #6)

Yara is thinking ahead, and that’s good for her. But with the Dead bearing down on Winterfell, does Theon have time to get there? That part didn’t make much sense.

6. House Arryn (Pre-Season #5)

I guess they’re loyal to…Sansa? I might be done ranking these guys. Despite having one of the largest extant armies, they’ve become inconsequential to the story. Unless someone ends up retreating to the Eyrie, that is.

7. The Night’s Watch (Pre-Season, #7)

The White Walkers looked at what’s left of the Watch, considered adding them to the army of the dead, and concluded, “Nah, we’re good.”

Also receiving votes: grandson of Ser Pounce, Hot Pie, Sam’s library fines, pirate swagger, the continued embrace of pointless nudity, and creepy dragons who like to watch.

(C) 2019 D.G. McCabe

Game of Thrones Season 8 Pre-Season Power Rankings

And we’re back! Seven more power rankings articles ever, well unless the Long Night series is any good. In the meantime, our list of houses and orders to power rank grows thin. Let’s get started!

1. The White Walkers

Oh yeah, everyone is good and screwed now. I doubt the series ends with the ultimate big bad winning, but I also wouldn’t be surprised. On the opposite end of the spectrum, they could be quickly dispensed with, with the last few episodes re-focusing on Cersei as the main antagonist. Most likely, it takes all season to beat them, and only a handful of our heroes make it out alive.

2. House Stark

The Starks have gathered an impressive list of allies to their cause: Brianne of Tarth, The Hound, The Brotherhood Without Banners, the Night’s Watch, Jaime Lannister, the Vale, the Targaryens, and of course a reunified House Stark itself. It won’t be enough to win right away, if at all, but it’s impressive.

3. House Targaryen

For now, Team Daenerys is one and the same with team Jon. This particular alliance has cracks in it, however. We’ll see how the Mother of Titles handles it when she finds out her new beau is actually her nephew, and ahead of her in the line of succession for the Iron Throne.

4. House Lannister

Underestimate Cersei Lannister at your peril. She’s chugging away (flasky, glug, glug motion), behind her high walls, waiting for her mercenaries, and chuckling while the world burns around her. That doesn’t seem threatening, but Cersei is at her most dangerous when she has nothing to lose.

5. House Arryn

For simplicity of narrative, I could see the Vale remaining in the Stark fold. However, the Starks just whacked Lord Robin’s beloved uncle. That may cause problems going forward.

6. House Greyjoy

Reminder: Theon is currently on a quest to rescue his sister. That is all.

7. The Night’s Watch

YOU HAD ONE JOB!!!!!!!

Also receiving votes: a whole bunch of vanquished houses (Martell, Tyrell, Baratheon, Frey, Tully); a whole bunch of people in Essos who don’t matter to the story anymore; son of Ser Pounce; and HBO’s own white walker threat, that is, people cancelling en masse six weeks from Monday.

(C) 2019 D.G. McCabe

2018: A Noisy Year, and Time for Changes

I’ve been writing the same, tired “Year in Review” article for a few years now. With the exception of one particularly creative dive into Boethius, admittedly a deep track reference if there ever was one, these write ups have been unremarkable and, I confess, lazy.

I’ve been doing this blog for almost seven years now. I don’t think our pop culture discourse has ever been noisier. It also, has never been less creative.

I read the same article about the same movie probably four or five times, every time. The assessment of film has become of an inescapable groupthink, which more often than not settles on analysis that is an inch deep and a mile wide. This problem isn’t unique to film, it’s in writing about television, sports, politics, basically all of journalism. We’re drawn to the hot take, the short article, the snarky humor, the bland repetitive analysis.

So what does this have to do with the state of popular culture in 2018? After all, 2018 was the year that brought us the best superhero movie (Black Panther), the best series finale of a television show (The Americans), Spike Lee’s return to form (Blackkklansman), and Steven Spielberg’s return to blockbusters (Ready Player One). The year’s biggest movie, globally, was the culmination of a massive series of films the likes of which we haven’t seen before (Avengers: Infinity War). These are real achievements, but something about them feels hollow. That isn’t right.

Film is about images. Roger Ebert understood this and repeated it often. What is lacking from the conversation is how those images make us feel. What they mean. In the moment, and more importantly, in the next moment.

Everything isn’t meant to be compared to everything else before it. With so many legacy movies, series, and filmmakers out there, we’ve been obsessed with just that – legacy. Legacy before the ink of history is even dry. This constant comparison makes art disposable. The art isn’t appreciated for what it is, but for how it measures up to other art. This, in case I’m not being clear, is a bad thing.

You could write about Blackkklansman and compare it to Lee’s earlier work, or you can talk about how Lee uses the film as a sledgehammer to shake the audience out of complacency. You could knock Spielberg as overly nostalgic, or you could point out how he uses nostalgia as a tool to reveal the humanity of an artificial world in Ready Player One. Black Panther is many things to many people, but instead of writing about what everyone is talking about, you can look deeper and see how and why Ryan Coogler’s best shot is when Killmonger walks into the throne-room. Ignore the noise – what does art mean to YOU? That is what I’m to endeavor to answer in the future.

That brings me to what’s changing on this page going forward:

1) I’m not writing traditional reviews anymore. See a movie or show, or don’t. I’m going to be writing about my impressions beyond simply answering whether art is good or bad.

2) Historical context needs time to develop. A new rule: a film or series needs to be at least five years old to have its influence discussed, ten to be understood, thirty to be fully appreciated.

3) I’m changing up the format a bit and working on a few other changes. It’s time.

4) I’ll still do Game of Thrones and maybe other Power Rankings, but I’ll be more thoughtful about a character or group’s story in the broader context.

5) I’m going to write about more random topics. I like to do that.

Thanks for sticking with this experiment that I started in 2012. I’ll do my best to continue making it worthwhile.

D.G. McCabe

December 21, 2018

(C) 2018

Westworld Robot Apocalypse Power Rankings, Season Two, Episode Four

A day late, but here is your weekly Robot Apocalypse Power Rankings!

1. Elsie

She’s alive!  Why, how, or for how long, we don’t know.  But she’s alive!

2. Maeve

Bring on Samurai World dammit!

3. Dolores

Dolores got the week off, but the murderous robot queen can’t fall past third right now in my opinion.

4. William

Why did William bother trying to keep James Delos alive?  We may never know.

5. Robert Ford

However, I’ll bet the end of Ford’s “game” involves Ford still being alive in a robot, then shooting William in the head.

6. Bernard

Bernard’s journey was far too confusing to comment on this week.

Also receiving votes: Teddy, William’s Daughter, Charlotte Hale, Hector, Ashley Stubbs, Lee Sizemore, Arnold,  Young William, Clementine, Ser Pounce, Roxy Music, giving the devil an offering, and shots of nitroglycerine.

(C) 2018 D.G. McCabe

Westworld Robot Apocalypse Power Rankings, Season Two, Episode Three

I was impressed with the third episode of Season 2.  The introduction of the other parks gives the show a new lease on life so to speak.  That said, here is your weekly Robot Apocalypse Power Rankings!

1. Maeve

I’m not sure where Maeve thinks she is going, but she has some clear advantages.  First, the Delos Corporation mercenaries don’t seem to be looking for her.  Second, she has a group with diverse skill sets that is, importantly, only half robot.   On the downside, the whole group might be lost in Samurai World.

2. Dolores

Westworld’s other sentient robot overlord has the most firepower, but look at her closest associates and look at Maeve’s.  I mean, c’mon, Teddy?  Really?

3. Charlotte Hale

Pros: Charlotte has unexpected survival skills.  Cons: Charlotte had her goons charge a fortification head-on with windowless cars.

4. Robert Ford

Ford’s cat and mouse game with William got a break this week, thus the drop in the Power Rankings.

5. William, the Man in Black

And William is still losing said cat and mouse game.

6. Bernard

Bernard isn’t controlling events at this point.  Rather, he seems to be pulled along by other players, especially Charlotte.

7. Teddy

We already know Teddy’s decision to have mercy on the other robots will not end well for him.

Also receiving votes: Hector, Ashley Stubbs, Lee Sizemore, Arnold,  Young William, Clementine, Ser Pounce, brainless military maneuvers, predictive text, and fans of Rudyard Kipling and Rule Britannia.

(C) 2018 D.G. McCabe

Westworld Robot Apocalypse Power Rankings, Season Two, Episode Two

After a bit of a Dolores focused episode, there isn’t a lot of movement this week on the Robot Apocalypse Power Rankings.  But, out of force of habit, I’ll publish one anyway.

1. Robert Ford

I don’t know about you, but I thought it was hilarious when the army leader, after giving a long winded lecture to William, switches gears and delivers a personal “*#%*% You” from Ford.

2. Maeve

Dolores IS just playing Ford’s game, she just doesn’t know it.  Even though Dolores let Maeve pass freely this time, more conflict between the two, self-aware robots feels inevitable.

3. Dolores

Did Arnold design Dolores to retain memories on purpose?  That’s what I’d like to know.

4. William, the Man in Black

If the big reveal of this season is “Delos/William use Westworld to scoop up personal data and sell it to advertisers,” I’m going to be vastly disappointed.

5. Karl Strand

6. Bernard

7. Charlotte Hale

The next three stay put on the rankings, since, you know, nothing happened to them this week.

 

8. Teddy

Teddy, on the other hand, is always in last place.

Also receiving votes: Hector, Ashley Stubbs, Lee Sizemore,  Young William,  Ser Pounce, robot cocktail hour, zombie robots, and splendor.

(C) 2018 D.G. McCabe

Westworld Robot Apocalypse Power Rankings, Season Two, Episode One

I’m not above copying an idea, and what works for Game of Thrones can work for Westworld. This is assuming that Season 2 doesn’t go off the rails after three episodes only to rebound in the last five minutes of the season (cough, Season One, cough).

That said, the Robot Apocalypse Power Rankings are nigh. Repent!

1. Robert Ford

Fire me will you? How about I kill everyone (including me) with my evil robot creations! Muhahahahahaha!

2. Dolores

While Dolores is a robot, her insatiable thirst for vengeance is an entirely human reaction to a lifetime of being tortured, raped, and murdered every day. She’s become Skynet from The Terminator (1984) and the Maschinenmensch from Metropolis (1927) all rolled into one.

3. Maeve

What Lee, the buffoon writer, doesn’t get is that Maeve doesn’t care if her child isn’t really “her child.” She’s found purpose, and that purpose is recusing the one good thing she found in her entire screwed up existence.

4. William, the Man in Black

Ford respected William more than any non-Arnold human. Ford’s crescendo is murderous, suicidal, and specifically designed to give William exactly what he wants.

5. Karl Strand

New character alert! Strand is the leader of the group that Delos has charged with cleaning up Ford’s mess. He has lots of guns and soldiers! What could possibly go wrong?

6. Bernard

Things aren’t going well for our robot/clone/whatever. There’s only one reason why he’s ahead of Charlotte.

7. Charlotte Hale

Bernard is still alive in the “flash forward” scenes, helping Strand. I don’t see Charlotte.

8. Teddy

Poor Teddy. Designed to be the Ned Stark of this world.

Also receiving votes: Hector, Ashley Stubbs, Lee Sizemore, Elsie Hughes, Arnold, Armistice the Snake Woman, Young William, Clementine, dead tigers, the Sea, Chinese island making technology, Ser Pounce, and a feast for robot vultures.

(C) 2018 D.G. McCabe